1.
 Aspect of Neo-Classicism in Tuscany
2.
 Primacy of French Art Between the Revolution and the Empire
3.
 Iconography of Pre-Unification Tuscan Dynasties:The Asbsburg-Lorraine
The Bourbon of Lucca, Maria Beatrice d’Este, Duchessa of Massa.
4.
 The Demidoff in Florence and the Art of the Restoration
5.
 Romantic Painting of Historical genre
6.
 Inquiry into”The real” between Florence and Naples
7.
 Antonio Ciseri and the Commemorative Portrait
8.
 Portraits of the Era of Florence Capital
9.
 The Landscape Schools of the Mid-19th Century:
Traditional aspect and the Barbizon Influence
10.
 The Cristiano Banti Collection
11.
 The Diego Martelli Collection
12.
 The Theme of Genre from the end ofthe Gran Duchy to Unification
13.
 The Patriotic theme with Democratic Overtones
14.
 Historical Genres to the Forefront of the Exibition
15.
 Stefano Ussi and the Climate of the World Fairs
16.
 The Celebration of the Post-Unification
Risorgimento:The Rebirth of the Applied Arts
17.
 Portrait from the Era of Umberto I
18.
 The Municipal Inventory of the Year 1912-1915
19.
 The Ambron Collection (Macchiaioli and other Schools)
20.
 Campestral Painting
21.
 Manifestations of Naturalism in Tuscany
22.
 Italian School of the Latter of the 19th Century
23.
 Models and Influences of the Mitteleuropean Culture
24.
 Pointillism, Symbolism and Social Themes
25.26.
 Study Collection-The collection of Emilio Gagliardini
27.
 Figurative Tuscan Culture Surrounding “Marzocco” and “Leonardo”
28.
 European Influencces on Tuscan Art of the second decade
of the 20th Century
29.
 Legacy of May Sewell Costetti
30.
 Acquisitions at the Primaverile of 1922
31.
 Ballroom